Mapplethorpe gay photos

Robert Mapplethorpe: From suburbia to subversive same-sex attracted icon

Vincent Dowd

Witness programme, BBC World Service

Mapplethorpe Foundation

Thirty years ago the controversial American photographer Robert Mapplethorpe had a major exhibition at the Whitney Museum in Manhattan. It contained several of his trademark explicit shots of nudes - and it was confirmation that despite or because of the controversy, he'd become a luminary of the art world.

A limited months later he was dead.

Mapplethorpe set out to shock America - yet his sister Nancy recalls a 'totally ordinary childhood' just outside Unused York.

Nancy Rooney has spent almost all her life on Long Island. As Nancy Mapplethorpe she grew up in Floral Park, the neighbourhood on the fringes of Fresh York City which her parents moved to in

Nancy was the first of six children. "My brother Robert was only little when we moved to a logo new house on a brand recent block. We did what young kids did in the early 50s: we jumped rope and played stickball and marbles. It was a totally common childhood."


Robert Mapplethorpe: &#;s Big Gay Nightmare

Photographer Robert Mapplethorpe didn’t anticipate to cause such a stir with his last exhibition, “The Perfect Moment” in at the Institute of Contemporary Arts in Philadelphia, but within a year, the show was cancelled and the organizer behind the exhibit was charged with obscenity. But how and why did Mapplethorpe receive so much scrutiny and cause quite a controversy?

Mapplethorpe () was a prominent gay black-and-white photographer whose images explored the beauty of the human form. He also shot celebrities, flowers, and interracial nudes all during the HIV/AIDs crisis. In a world where all queer people were seen as animalistic, contagious perverts, Mapplethorpe’s work was scrutinized for its “bold” subject matter and strong queerdom: unapologetic, simplistic, and stunning.

“The Perfect Moment” debuted at a fragile point for Mapplethorpe’s health, and within months he passed away from AIDs complications. Mapplethorpe wasn’t around long enough to see the outrage his art accumulated, but he would’ve been thrilled t

Powerful or Problematic? Robert Mapplethorpe&#;s Photographs

Controversial photographer Robert Mapplethorpe () shocked the world with his images of bondage, gay-sex, female bodybuilders, and naked black men. Always technically brilliant, sometimes politically problematic, these photographs captured a Modern York community during times of intense social change.

Moments in Time

Mapplethorpe was an artist whose serve became completely bound up with the times in which he lived. He captured moments in time that will be forever remembered; while street photography dictated, he retreated back to the studio, producing tightly composed, inky and white portraits, still lives, and erotic art.

Youth and Education

At 16 years of age Mapplethorpe started to experiment with art and in he enrolled at Pratt Institute in Brooklyn, Modern York, where he studied drawing, painting, and sculpture. He was influenced by artists such as Joseph Cornell and Marcel Duchamp, and he experimented with various materials in mixed-media collages, including images cut from books and magazines. He acquired a

Robert Mapplethorpe, “Self Portrait” (), gelatin silver print, x cm (image courtesy Solomon R. Guggenheim Museum, Modern York © Robert Mapplethorpe Foundation)

“Where did you study about this artist?” asked the dubious women to her well-heeled husband as she peered ever closer into a photograph of a leather daddy pissing into the mouth of another man.

“Magazines, movies, posters,” the husband mumbled. “He’s attractive famous.”

The woman shrugged. “I’ve never heard of him before,” she said before turning to the next image unscathed like the inveterate New Yorker she is. This was a sadomasochistic scene wherein a burly man cups the genitals of his upside-down lover in one hand and a cigarette in the other — placed suggestively at crotch-level.

“What’s S&M?” she beseeched her husband, who upon hearing the question turned to dust. “The artists says here that it stands for sex and magic, but this set up doesn’t look very magical,” she added in distress.

“Him and Tom, Sausalito” (), gelatin silver print, x cm (image by author)

Nothing delights this glum critic’s heart more